The Problem
Every show starts with the same problem: getting complete, accurate information from clients in time. Production managers chase promoters and artists for weeks, book contractual labor about a week out, and still absorb last-minute changes that are expensive to undo. The information is scattered across emails, riders, and spreadsheets, and the expertise to ask the right questions lives mostly in one person's head.
The Bigger Picture
Our original goal, AI lighting design, turns plain-language cue descriptions into console-ready files so a show can be programmed without a dedicated programmer. Venue conversations pointed first to the information problem, so the intake system is the focus today, with lighting and a fuller stage operating system as later layers. We write about what we learn along the way in our Stories.